Flinging itself into darker territory than the previous entries, "The Hunger Games: Mockingjay - Part 1" is another impressive chapter in a series that has proven to be much more complex and thoughtful than the genre typically allows. Though it's certainly much lighter on the action than previous entries, "Mockingjay" still brings a compelling story that wisely limits the melodrama.
There's no stopping the revolution in Jon Stewart's directorial debut "Rosewater." Though a bit uneven and a little light on the final act, "Rosewater" is a loving homage to the nature of bearing witness and an occasionally touching celebration of the journalists who fly in the face of regimes all over the world.
In an effort to make a mind-blowing space epic, director Christopher Nolan delivers an entertaining jaunt to the edge of the abyss with "Interstellar," only to leave the audience stuck halfway in between Hollywood fantasy and the finer details of space travel. Still, considering its foundation is based on big ideas about where we're headed as a species, "Interstellar" is an easy movie to respect.
"Birdman" is 119 minutes of pure chaos, a lyrical comedy with a dark streak that delves deeply into the mind of a fading movie star on the tip of insanity. While certainly not for everyone, "Birdman" is the type of offbeat comedy that is perfect for those tired of the slapstick-heavy comedies of the mainstream, complete with an audacious and pitch-perfect performance from Michael Keaton.
More than anything, "John Wick" might just be the antidote for the dull routine of action. Even though the action choreography is far from groundbreaking, "John Wick," like all of the best action movies, is at its best in between the gunshots, taking a story that could have been a mindless retread and turning into an entertaining and often hilarious piece of pulp moviemaking.
If nothing else, "Fury" is a movie that certainly lives up to its title. Writer/director David Ayer's latest, a WWII film about a close-knit tank unit, dives headlong into the gore and brutality of a global war winding down amidst a shocking backdrop of slaughter and inhumanity.
"The Judge" follows a long line of movies that have used the courtroom as a battleground, though even with a top-notch cast it struggles to get through a meandering narrative that simply tries to tell too many different stories.
Don't let the routine premise of "Gone Girl" fool you. Though there have been plenty of thrillers about husbands and wives, "Gone Girl" isn't really like any of them, blazing off into new territory with the dark satirical vision of director David Fincher and the cynical wit of novelist Gillian Flynn.
Utilizing the old cliché of less being more, Michaël R. Roskam's "The Drop" takes a good cast led by Tom Hardy and James Gandolfini and turns it into a mostly compelling gangster tale, delving into the lives of low-level hoodlums looking to avoid irrelevancy.
With an IMAX release to celebrate its 20th anniversary, iconic Tom Hanks vehicle "Forrest Gump" is back with all of the memorable rock anthems and one-liners that made it a cultural icon when it was released in 1994. Though it has grown no less sentimental, "Forrest Gump" two decades later plays like a mostly clever period piece that doesn't need to be as deep as it intends.
If the preview for director Roger Donaldson's "The November Man" made you feel like it was going to be a lazy R-rated James Bond experience, the movie itself does little to suggest otherwise. With Pierce Brosnan in the lead as a scorned special agent with a quick trigger finger, "The November Man" shows a little bit of promise before ultimately melting into an incomprehensible mess.
Even as an obvious rehashing of the same elements from the first entry, "Sin City: A Dame to Kill For" is still a richly stylized and entertaining noir experience that is better than your average sequel. Thanks to a great cast and Robert Rodriguez's creative camera, here's a movie that avoids being the bland regurgitation of noir storylines that it appeared destined to be.
Even within the buddy comedy genre not particularly known for sophistication, "Let's Be Cops" manages to not only redefine the idea of low-brow but also make two very funny actors as unfunny as possible. Here's a movie that easily wins the prize for most obvious comedy idea of the year, as it's a sloppily tossed together bit of high-concept Hollywood that seems to be going through the motions.
There is a time and place for movies like "Into the Storm," though that place may not be the big screen. Even with some decent special effects and even a couple of well-placed cheap thrills, "Into the Storm" is a straight-to-TV release masquerading as a real movie, delivering neither the silly fun of "Twister" nor the goofy theatrics of the D-movies it clearly idolizes.
Marvel's latest cinematic entry, "Guardians of the Galaxy," is an exhilarating bit of light summer fun that is a nice antidote for over-pumped action movies that take themselves way too seriously. Built around a funny performance from Chris Pratt, "Guardians of the Galaxy" is an action-comedy that does the comedy quite a bit better than the action.